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Series Overview
OTHER NEW CAPTAIN SCARLET SERIES Series 1 OTHER GERRY ANDERSON SHOWS Captain Scarlet and the Mysterons UFO Thunderbirds Space 1999 |
Series OverviewThe new CGI animated adventures of the indestructible Captain Scarlet and his neverending fight against the vengeful Martian Mysterons come racing back for a second season of fast action and impressive technological smackdowns. The half-hour format remains the same and proves to be just right for the show, each story not outstaying its welcome and only just fitting in, making the running time usually breathless and full. There is more attempt to bring out some depth in the characters with the addition of Captain Ochre and a nascent relationship with Destiny and Scarlet, but these are second to the action and rightly so as the animation can't hold up to emotional demands placed on it. This show, though, is about deadly plots of sabotage, a technological society fighting back against an implacable enemy and ideologies that cannot be reconciled. Sound familiar? Don't look too deep for meaning, though, NEW CAPTAIN SCARLET is a thrill ride and as such it works brilliantly. Top Touch of the ReaperThe Mysterons infect a couple of scientists with a super virus, giving them the power to kill with a touch. This is passed onto a journalist who is scheduled to interview the President aboard Air Force One. The return of the rebooted CAPTAIN SCARLET is crowned with a smashing motorbike/car chase, but is marred by some less impressive lapses in plotting logic. Why has the President's security not been upgraded to detect Mysterons when he is such an obvious target? Why do the Mysterons destroy the female scientist once her primary job is carried out when she could cause a major epidemic to distract Spectrum and why is the journalist allowed to see the President when the security team have already been alerted to the threat? Written by Phil FordDirected by Mark Woollard Top VirusImportant people across the world are calmly killing themselves with no warning. The cause is a computer virus that can also infect people and which has been tranferred to the Skybase computer with a bunch of infected files. Everyone on Skybase has been exposed except for Scarlet and Destiny, but any attempt to destroy the virus means accessing the computer and becoming infected as well. This episode gives us a chance to see what the show would be like if it concentrated on the characters rather than action and technology. What it mainly shows up is the limitations of the cgi animation on a TV sized budget. Where big machines shooting at each other look great, the people don't move or look like real people. Worse than that they don't even come across as being two-dimensional. That's partly down to the animation and partly the fault of the clunky script. Fast action and fancy machines is what this show does best and it really ought to stick to that. Written by Phil FordDirected by David Lane Top EnigmaAn alien spacecraft from Mars attacks Skybase and then lands in the Australian desert. A team venture inside to encounter a place where reality, time and space are no longer constants. But what is it all for? This is a fabulous episode that plays with the audience as much as the characters. The conventional enough opening of the aerial combat between Angels and alien becomes something much more intriguing and challenging when the team go inside and find all kinds of surreal tricks going on. One of the original show's strengths was that sometimes the Mysterons out-thought the humans and snatched a victory. This story continues that tradition in very fine style. Written by Phil FordDirected by Dominic Lavery Top Grey SkullsWhen Captain Ochre loses her Spectrum motorcycle to a member of a motorcycle gang called the Grey Skulls out of Roswell, New Mexico, she is tasked to retrieve it immediately. In doing so, she finds an ally against a Mysteron set on destroying a theme park. This is the first episode to have Captain Ochre at its heart, though she has already appeared in the previous episodes this season. She makes for a worthy addition to the team. The plot is less worthy, shoehorning in Roswell aliens, survivalists and theme parks built in the middle of nowhere for no particular reason. No this is all about the relationship between Ochre and biker Colt and that works well enough. Written by Phil FordDirected by David Lane Top ContactA physicist working on a new type of bomb is killed by the Mysterons and becomes an agent, stealing the device. In desperation, Spectrum turns to the man's identical twin brother in the hope that their psychic link will prove useful. Unfortunately, the twin is a convicted criminal more interested in escaping and psychic links can work two ways, Contact starts with an exceptional cliff-climbing sequence which overshadows the rest of the straightforward plot. More time is spent trying to hold onto the brother so the Mysteron plot doesn't have time to be built up into anything really tense or exciting. Written by Phil FordDirected by Mark Woollard Top ProteusProteus is the next generation warship with cloaking abilities, incredible speed and an incredible artificial intelligence system capable of running the whole ship and its maintenance drones all by itself. When the Mysterons compromise the system, the ship picks itself a target and the visiting Colonel White, Captain Scarlet and Lieutenant Green are the only hope for avoiding a new World War. Impressive technical visuals, fast action and a tense, countdown-racing climax - these are the the things that NEW CAPTAIN SCARLET does so well and this is a perfect example of all of them. T warship Proteus is an impressive piece of hardware that the CGI animation renders particularly well. The maintenance drones are less believable, but provide the main threat, mortay injuring Colonel White unless escape can be found quickly. In a good piece of character work (not always the show's strong suit) Lieutenant Green is put at the heart of the action and gets her own big fight scene. And Captain Scarlet gets a foe worthy of his abilities in the shape of the ship's automated systems. Written by Phil FordDirected by Mark Woollard Top Syrtis MajorDespite Mars being declared off limits, a mining corporation sends a three man maintenance team to check on its holding. The Spectruteam sent to save them finds that there is nothing to fear but fear itself - and perhaps Captain Black. Rather than full-on action, this episode goes for a slown burn creeping atmosphere. There are shades of ALIENS as the armed party infiltrate the martian complex (Mars being well-rendered, as always) and the company man's betrayal, but it is the inexplicable appearance of Black that gives the game away as to what is really happening. Written by Phil FordDirected by Dominic Lavery Top Fallen AngelsAfter an attempted attack on Colonel White's plane is thwarted, three of the angels find themselves stranded on a deserted island. All available aircraft are covering the World Summit, so it looks like sunbathing might be the order of the day, but a crew of pirates, killed by the Mysterons and recreated as agents target the trio in order to get the location of the summit. The opening aerial combat is excellently portrayed and exciting with, for once, the other pilots being almost a match for Spectrum's. One the action reaches the ground, however, it is less impressive, not least when the angels overcome their captors, but don't bother to pick up any of their weapons. At least Destiny's survival tricks are clever. The exploding volcano does over egg the pudding a touch though. Written by Phil FordDirected by David Lane Top Storm at the End of the WorldA cloud seeding experiment goes wrong when the Mysteron poison within it sends one of the scientists mad with fear. A full test of the process in planned already and Colonel White is in the centre of it. The plot here makes less sense as it goes along, but it does demonstrate the series' intent when it comes to supporting cast members biting the big one. This is also the first episode without successful big action sequences. Written by Phil FordDirected by Mark Woollard Top DuelThe successful operation to recapture a phial of nerve gas leads Spectrum to suspect an attack on a lunar holiday resort. When they mount a protective mission, however, Captain Scarlet finds he has been lured into a trap. A fantastic aerial chase sequence sets this episode off to a breathless start before the action switches to the lunar surface for a dramatic duel between Black and Scarlet in moon buggies. It's all-action stuff, which is just as well because the plot makes little sense. Who would put a holiday complex on the moon and how could it possibly operate at a profit? The Mysterons prove once again to be way ahead of Spectrum in the game and only sloppy implementation prevents a big win. Black could have destroyed the base instead of duelling with Scarlet. The animation doesn't give a great impression of the reduced gravity on the moon either. Still, this episode sticks to what the show does best, which is fast-moving high-tech weaponry moving fast. Written by Phil FordDirected by Dominic Lavery Top Shape ShifterScarlet foils a plot to destroy a particle collider, but the Mysterons take control of a mass of raw matter in a cloud of atoms and harness it to create a shape shifter, capable of fooling Skybase defences, becoming Colonel White and setting Skybase on a collision course with Houston. There are some musings on the science that allows a gas to form into the likeness of Captain Scarlet, but they don't amount to much and the action proves to be less exciting than usual as it's based around the characters who are far less convincing than the vehicles when in action. Written by Phil FordDirected by David Lane Top DominionCaptains Scarlet and Blue interrupt a Mysteron plot with such force that the aliens' hold over Captain Black is released. Or is it? When Black offers a way to destroy all the Mysterons, White doesn't believe him, but Scarlet does and together they head for a showdown in the Mysteron city. The dramatic battle between the two giant Russian battle tanks overshadows everything that follows it. It is interesting to see, however, how getting Black back raises a dilemma for Spectrum. How can they trust their greatest enemy and yet how can they not when they already have the example of Scarlet? Written by Phil FordDirected by Dominic Lavery Top Best of EnemiesWhen Scarlet bursts in on Captain Black buying technology from Russians, a chase develops that leaves them both trapped in an immobilised Rhino vehicle at the bottom of a frozen lake. The only chance of escape is to work together and Scarlet uses the opportunity to try to reach the man inside the Mysteron agent, the man who was his friend. Two mortal enemies having to combine forces to stay alive is hardly an original concept, but here it is well used to play with the mythology of the show. The interplay between Scarlet and Black is as close as the show has ever come to emotional complexity and making Black more human than his name suggests is an interesting move. The lake beneath the frozen surface appears strangely enough to be almost tropical with seals, shoals of fish and coral outcroppings that put it at odds with the impressively icy world above. Interesting questions are raised about the nature of Mysteron agents as well. Scarlet is indestructible, but what happens when there's no air? Black claims to have the memories of the man he was and that perhaps his personality is still there, just being suppressed by the Mysteron consciousness. Of course, you could just enjoy it as an adventure yarn, which is exactly what it is filmed like. Written by John BrownDirected by David Lane Top |
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