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SEASON 1

SEASON 3



BATMAN
(1966)

SEASON 2

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Series Overview
  1. Shoot a Crooked Arrow...
  2. ...Walk the Straight and Narrow
  3. Hot Off The Griddle...
  4. ...The Cat and the Fiddle
  5. The Minstrel's Shakedown...
  6. ...Batman Barbecued
  7. The Spell of Tut...
  8. ...Tut's Case is Shut
  9. The Greatest Mother of Them All...
  10. ...Ma Parker
  11. The Clock King's Crazy Crimes...
  12. ...The King Gets Crowned
  13. An Egg Grows in Gotham...
  14. ...The Yegg Foes in Gotham
  15. The Devil's Fingers...
  16. ...The Dead Ringers
  17. Hizzoner the Penguin...
  18. ...Dizzoner the Penguin
  19. Green Ice...
  20. ...Deep Freeze
  21. The Impractical Joker...
  22. ...The Joker's Provokers
  23. Marsha, Queen of Diamonds...
  24. ...Marsha's Scheme of Diamonds
  25. Come Back, Shame...
  26. ...It's the Way You Play the Game
  27. The Penguin's Nest...
  28. ...The Bird's Last Jest
  29. The Cat's Meow...
  30. ...The Bat's Kow Tow
  31. Puzzles are Coming...
  32. ...The Duo is Slumming
  33. The Sandman Cometh
  34. ...The Catwoman Goeth...
  35. The Contaminated Cowl...
  36. ...The Mad Hatter Runs Afoul
  37. The Zodiac Crimes
  38. ...The Joker's Hard Times...
  39. ...The Penguin Declines
  40. That Darned Catwoman...
  41. ...Scat! Darned Catwoman
  42. Penguin is a Girl's Best Friend
  43. ...Penguin Sets a Trend...
  44. ...Penguin's Disatrous End
  45. Batman's Anniversary...
  46. ...A Riddling Controversy
  47. Joker's Last Laugh...
  48. ...Joker's Epitaph
  49. Catwoman Goes to College...
  50. ...Batman Displays His Knowledge
  51. A Piece of the Action...
  52. ...Batman's Satisfaction
  53. King Tut's Coup...
  54. ...Batman's Waterloo
  55. Black Widow Strikes Again...
  56. ...Caught in the Spider's Den
  57. Pop Goes the Joker...
  58. ...Flop Goes the Joker
  59. Ice Spy...
  60. ...The Duo Defy




Batman/Bruce Wayne -
Adam West

Robin/Dick Grayson -
Burt Ward

Alfred -
Alan Napier

The Penguin -
Burgess Meredith

The Joker -
Cesar Romero

Catwoman -
Julie Newmar



OTHER SUPERHERO SHOWS
No Heroics
Heroes
Birds of Prey





SEASON OVERVIEW

The second season of BATMAN weighs in at 60 episodes and that's an awful lot of BATMAN. It is, in fact, too much.

All of the things that made the first season so much fun for many - the crazy direction, the fabulous designs of the Batmobile and Batcave, the arch and knowing comedy - are all present and correct, but a few worrying things have slipped into the mix. The first is the use of stock footage and running jokes. The first was always the case, but when you get to see the same footage of Batman arriving outside City Hall every episode for 60 episodes then it becomes painfully obvious. When it becomes obvious that every that every time the Dynamic Duo climb a wall they are going to encounter some pointless guest star opening a window for a chat it is just painful. It doesn't help that many of these guests weren't known in the UK at the time and certainly aren't any more.

Then there's the villains. Burgess Meredith, Cesar Romero, Julie Newmar are back as Penguin, Joker and Catwoman, all of them good value whenever they are, but there are far too many unmemorable additions (The archer? Chantell? The Bookworm?) and the cardinal sin of not having Frank Gorshin as the Riddler is unforgiveable.

There is still much to enjoy, but it is buried amongst an awful lot more mediocre stuff and the bloom is certainly off Batman's cowl.


Top

SHOOT A CROOKED ARROW...

The infamous Archer is all over Gotham City, robbing the rich to give to the poor in a bid to become more popular than Batman (a trick stolen by the Joker in the Tim Burton's big screen BATMAN). Whilst the dynamic duo sneak into the villain's hideout, Alfred attempts to give him a lesson in archery, which leads to him losing his head and the dynamic duo facing being run through on the jousting field.

Robin Hood in Gotham City is a straightforward enough idea, but there are a few too many moments in this opening episode that try a little too hard. The Archer is followed around by a tape recording of crowds cheering for no apparent reason and a newcomer to Gotham city asks if the dynamic duo walking down his wall are some sort of musical group. The show is a little too knowing in its own archness, something that wasn't obvious in the first season. Quite delightfully, however, the usual Biff and Wham captions are replaced with the likes of Zap-eth and Thwacke.

Art carney's Archer is a master shot despite clearly not knowing how to hold a bow properly, but that isn't exactly out of step with the nature of the show. The scene in which Alfred and the Archer consistently split each other's arrows is a clever and witty spoof of THE ADVENTURES OF ROBIN HOOD, whilst Alfred going into the guillotine is surprising in that Batman doesn't stop it.

Not the best of opening episodes, but enough to be going on with until the better villains come along.

Guest Villain is Art Carney as The Archer

Written by Stanley Ralph Ross
Directed by Sherman Marks
Top

...WALK THE STRAIGHT AND NARROW

Batman and Robin escape being run through by using their Batsprings and track down the Archer and his accomplices to their ship, using a new Batboat for the first time in the series.

There's a lot of running around in this episode and Batman and Bruce Wayne appear together in public for the first time without anyone noticing that the superhero now has a moustache just like Alfred's.

The moment when a police officer explains why Batman can flout the highway rules again smacks of the show trying too hard to maintain its camp archness.

Guest Villain is Art Carney as The Archer

Written by Stanley Ralph Ross
Directed by Sherman Marks
Top

HOT OFF THE GRIDDLE...

Three minor crimes point to the fact that Catwoman has returned and is planning something big. The dynamic duo create a trap, but the feline villainess is up to the match and sets her own batrap that sees the caped crusader and chum trapped under the burning glare of two giant magnifying glasses on the sunniest of days.

One of the problems with supervillains is that they come up with overelaborate ways to do away with the heroes, thus giving them a chance to escape, so it is refreshing when Catwoman stuns her victims and simply throws them out of the window. It doesn't work, of course, and she goes back the silly methods of killing later on, but such simplicity and brevity is to be commended.

As is the rest of Julie Newmar's performance as Catwoman. Last seen falling to her supposed doom in Better Luck Next Time, she's back as slinky, sexy and deliciously nasty as she was the first time around. Here reappearance also seems to have inspired the writing team with a witty script full of sparkling banter and a cornucopia of nicknames for the feline femme fatale.

Guest Villainess is Julie Newmar as Catwoman

Written by Stanley Ralph Ross
Directed by Don Weis
Top
Top

...THE CAT AND THE FIDDLE

A fortuitous solar eclipse saves Batman and Robin to follow up Catwoman's scheme. This involves disguising herself as an aged recluse to steal two Stradivarius violins and the money to pay for them.

The second part of BATMAN stories usually involves a lot of running around and not a lot else. Fortunately, this one manages to cram in more of the witty dialogue that was such a pleasure in the first part.

Julie Newmar remains a delight as Catwoman both in her catsuit and as the elderly recluse. Her lustful flirting with the young armoured car driver (and yes, that is James Brolin) is very funny and the appearance of the 'getaway rocket' is just about the silliest moment that the show has come up with to date.

Guest Villainess is Julie Newmar as Catwoman

Written by Stanley Ralph Ross
Directed by Don Weis
Top

THE MINSTREL'S SHAKEDOWN...

Following a stock market crash, the investors of Gotham City are offered a deal by the Minstrel. He will guarantee that the disaster will not happen again if they guarantee him quarter of a million dollars a week. Batman and Robin investigate, but the Minstrel's electronic genius sees them ending up on a spit roasting over an electric fire.

Coming only two weeks after the medieval shenanigans of the Archer in Shoot a Crooked Arrow... and Walk the Straight and Narrow Van Johnson's Minstrel comes across as a very similar character only obssessed with musical ditties rather than taped applause. The fact that the dynamic duo are left in a very similar situation to the Catwoman's magnifying glass scenario in Hot Off The Griddle... heightens a sense that some of the originality has gone out of the show.

Having Phyllis Diller pop up as a cleaning woman for no apparent reason also smacks of trying too hard.

Guest Villain is Van Johnson as the Minstrel

Written by Francis and Marian Cockrell
Directed by Murray Golden
Top

...BATMAN BARBECUED

Using a diversionary tactic, Batman escapes the spit and plants a bug on Minstrel's girlfriend and uses it to track her back to the Minstrel. The villain then reveals his plan to use subsonic sound to bring down buildings across the nation. Can Batman finally outwit the electronic genius?

Considering how clever the villain is claiemd to be by just about everyone, the manner of his downfall at the moment of his triumph is just utter stupidity and not at all necessary. This concluding episode is, in fact, a bit disappointing all round. It doesn't even have a rhyming title.

Guest Villain is Van Johnson as the Minstrel

Written by Francis and Marian Cockrell
Directed by Murray Golden
Top

THE SPELL OF TUT...

Mad history professor and would-be pharoah King Tut re-emerges onto the scene as he steals a relatively worthless set of amber gemstones and leaves a fortune in diamonds behind. These amber stones, however, contain an extinct species of scarab beetle that happens to be the final ingredient to a potion that renders anyone pliable to suggestion. Batman smuggles Robin into the villain's lair, but when he refuses to take the potion, the boy wonder is left dangling over a pit of crocodiles.

The plotting here certainly shows a bit more originality than the others this series and it is nice to see Victor Buono's corpulent King Tut back after The Curse of Tut and Pharoah's in a Rut, but there's so much plot that there's less time for the japery and nonsense that usually makes the show so much fun. Admittedly the straight-faced way everyone deals with just about the most plastic crocodiles ever on TV is pretty funny, but the scene in which the Dynamic Duo are challenged by the Green Hornet and his faithful assistant as they climb up a wall is a variation on a joke already used this season. It does give Robin a chance to amusingly comment on their dress sense and the moment when Batman has to spell out his name to someone who clearly has no idea who he is also very funny.

Mention should also be made of Marianna Hill as Commisioner Gordon's new secretary and clearly an inside woman for the villain. Her appearances are also quite fun.

Guest Villain is Victor Buono as King Tut

Written by Robert C Dennis and Earl Barret
Directed by Larry Peerce
Top

...TUT'S CASE IS SHUT

Batman manages to save Robin from dangling over the pit of plastic crocodiles and together they have to save Chief O'Hara who is dangling off the police headquarters under the influence of Tut's potion. Commissioner Gordon is equally taken over and spikes Batman's lemonade, but buttermilk proves to be the saviour of the day.

There seems to be very little actual plotting going on from King Tut in the conclusion to the story. There's talk of him taking over the whole city with his potion, but he merely makes Chief O'Hara do cartwheels on the window ledge and the Commissioner betray Batman. Aside from that it is the usual round of running and punching. There's a sense that the formula is starting to get a bit stale, right down to the girl sidekick falling for Batman.

Guest Villain is Victor Buono as King Tut

Written by Robert C Dennis and Earl Barret
Directed by Larry Peerce
Top

THE GREATEST MOTHER OF THEM ALL...

The infamous Ma Parker, her four sons and one daughter breeze into Gotham city and set about helping themselves to all kinds of loot. Unfortunately for them, the dynamic duo are on the case. But as each of the gang is captured have Batman and Robin not twigged that they are all being captured rather easily?

Ma Parker's plan here is really rather intriguing. We're told early on how smart she is, but then she seems really rather dumb as she lets all her children get caught, and then herself. It really doesn't seem right. It's only at the end that her plan is revealed and provides a cliffhanger of a less traditional manner.

Guest Villainess is Shelley Winters as Ma Parker

Written by Henry Slesar
Directed by Oscar Rudolph
Top

...MA PARKER

Batman and Robin avoid being blown up by sticking to the speed limits like good motorists and work out that Ma Parker is in control of Gotham City Penitentiary. They then break into the prison, but then find themselves strapped down into a pair of electric chairs awaiting the stroke of midnight for the switches to be thrown.

Batman proves to be a little more dim than usual in the early parts of this episode, missing all the clues that Ma Parker is in charge of the prison and walking into a trap with both eyes open, but everything is resolved in the usual punchy style. There is, at least, a cameo appearance by Julie Newmar as Catwoman, making up for the less than spectacular Shelley Winters's Ma Parker, one of Batman's less interesting opponents.

Guest Villainess is Shelley Winters as Ma Parker

Written by Henry Slesar
Directed by Oscar Rudolph
Top

THE CLOCK KING'S CRAZY CRIMES...

The Clock King, a villain with a penchant for trick clocks and crimes that run like clockwork starts a series of robberies in Gotham, but Batman and Robin are soon on his trail as he tries to steal a famous clock painting from the Gotham Gallery. They are, however, tricked into a trap and end up locked inside a giant egg-timer as the sands run out for them.

We have a question - who keeps a giant egg-timer around the place and for what reason? The Clock King is one of the least interesting villain's to date, but at least his method of breaking into the gallery vault shows some originality, which is more than can be said for the cameo appearance by Sammy Davis Jr in a window the dynamic duo are climbing past. This is clearly going to be something of a running joke throughout the series, but is somewhat tiresome.

Guest Villain is Walter Slezak as the Clock King

Written by Bill Fingers and Charles Sinclair
Directed by James Nielson
Top

...THE KING GETS CROWNED

As Batman and Robin manage to escape from the giant egg-timer, the Clock King attempts to liberate a clock with the wrong button in it from Wayne Manor in order to help steal a Caesium clock being delivered in the city.

For a villain who prides himself on the clockwork planning of his crimes, the Clock King makes pretty much a mess of everything he does in this episode. His minion puts a dangerous button in Bruce Wayne's birthday present instead of harmless sleeping gas, his attempt to steal pocket watches from Wayne Manor is a disaster and his final caper falls apart at the seams. It's all par for the course, but probably the least fun story to date.

Guest Villain is Walter Slezak as the Clock King

Written by Bill Fingers and Charles Sinclair
Directed by James Nielson
Top

AN EGG GROWS IN GOTHAM...

The Egghead steals the ancient charter of Gotham, which states that the land on which the city stands was only leased to the founders by the Mohican indians and the lease must be paid every few years in raccoon pelts. If the lease isn't paid then the land reverts to the Mohicans, by which they mean the remaining descendant or the Last of the Mohicans. Trapping Bruce Wayne, the Egghead announces that he knows him to be Batman and puts him in a machine that will strip his mind of all knowledge.

Considering that the Egghead is supposedly the single most intelligent crook that Batman has ever faced (even Batman agrees), he seems to be pretty dumb. First he pulls of the clever heist of the Gotham deeds just in order to read them, but there must surely have been a copy on sale in the gift shop and since the contents had been widely studied he ought to already know what was in it so what was the point? Then he names his hideout in a fashion that means Batman can figure out where he is in minutes.

None of this actually matters because watching Vincent Price ham it up as the sleazy villain is wonderful. He is clearly having so much fun (which he always does when playing the pantomime bad guy parts) that you just can't help but like him, even though the many egg puns get to the point where you just want to shoot the writer, resurrect him and then shoot him all over again. Calling the Egghead's assistants Benedict, Foo Young and Miss Bacon are about as clever as it gets.

There's also a not quite right feeling about the lampooning of the american indians as stupid (selling Manhattan for $24 when clearly they could have gotten $36) through the character of Chief Chicken, the Last of the Mohicans (hey it's one of the best gags so it gets repeated a lot) even though he doesn't dress at all like the Mohicans. It leaves an unusually sour aftertaste.

Guest Villain is Vincent Price as the Egghead

Written by Stanley Ralph Ross
Directed by George Waggner
Top

...THE YEGG FOES IN GOTHAM

The Egghead fails in his bid to strip Batman's mind of its secrets, but he does manage to become the legal owner of all the land in Gotham City. He takes over the police, exiles Batman and Robin, sacks the Commissioner and Chief O'Hara and sets about stripping the city of its assets. Batman, though, has read enough in the charter to know that there is a way to outwit the supposedly mastermind.

Considering all the trouble that the Egghead went to in stealing the Charter to come up with his crazy scheme it is an insult to anyone's intelligence to suggest that there is a clause forbidding the sale of land to criminals that he somehow managed to overlook, but which Batman finds in seconds. There is being silly and there is talking to your audience like they're imbeciles and this is the latter.

Vincent Price is still good value as the Egghead, but the continuous punning on the word egg has long since passed its welcome.

Guest Villain is Vincent Price as the Egghead

Written by Stanley Ralph Ross
Directed by George Waggner
Top

THE DEVIL'S FINGERS...

The great Chandell is a wonderful piano maestro whose music is like to summon up the ghosts of the past. In this case it summons up a trio of theiving highland maids, bringing the Commissioner to the batphone. Unfortunately, Batman and Robin are on holiday, leaving the Gotham police to sort out the case themselves, something they seem set to do with machine guns and barbed wire.

The show seems to have moved from having fun along with its characters to making fun of them. The Gotham Police are no longer shown as professionals who call in Batman and Robin when faced with supervillains beyond the norm, but as complete imbeciles who couldn't tie their shoes up if they had an instruction leaflet.

Worse still is watching Liberace as the villains. He's OK as the ludicrously camp Chandell (not much of a stretch there), but is cringemakingly terrible as the supposedly rough and macho twin brother Harry. At least he has a trio of comely accomplices to take the mind of the increasingly banal and stupid events. Guest Villain is Liberace as Chandell

Written by Lorenzo Semple Jr
Directed by Larry Peerce
Top


...THE DEAD RINGERS

Chandell reveals his plot to kill both Bruce Wayne and his ward in order that the Wayne fortune should come to Aunt Harriet, whom he would then marry for her money, thus paying off his brother and going straight. Harry, though, has other plans, that is plans to take over Chandell's plan for himself, but he hadn't counted on Batman's trickery or Aunt Harriet's bravery.

It's a shame that Chandell's role is reduced in this episode to allow his twin brother to take over as Liberace's James Cagney impression is so awful as to drag the rest of the show down. The manner in which Batman and Robin escape from the music roll punching machine is mind-blowingly silly, but the rest is just painful.

Guest Villain is Liberace as Chandell

Written by Lorenzo Semple Jr
Directed by Larry Peerce
Top

HIZZONER THE PENGUIN...

The Penguin returns to Gotham City, but is actually going around doing good deeds. As soon as the populace sees him in a new light, he announces his candidacy for Mayor and launches a campaign of such razamatazz that the city officials believe that only Batman could possibly rival him and so the caped crusader stands for office. Unfortunately, it's hard to stand for anything when you're suspended over a vat of acid held up only by a melting block of ice.

Welcome back the incomparable Burgess Meredith as the Penguin. After a string of limp and uninteresting villains he really is a breath of fresh air. OK, his plot to take over Gotham owes a lot to that of the Egghead in An Egg Grows in Gotham... and The Yegg Foes in Gotham only using the office of Mayor to gain control instead of a clause in the ancient charter, but it allows for a lot of decidedly sharp digs at the state of American politics (something that remains as relevant today as it was then if not more so).

Batman's po-faced campaign in the face of the Penguin's liveliness just shows how dull the hero is, deliberate statement or not.

Guest Villain is Burgess Meredith as The Penguin

Written by Stanford Sherman
Directed by Oscar Rudolph
Top

...DIZZONER THE PENGUIN

Using his acid-proof costume, Batman escapes from the Penguin's trap and sets about winning a televised debate, but a staged attack on the downtown conference centre sees the Penguin score another direct hit in the popularity stakes and almost certain victory. Batman, though, retains his faith in the electorate to succeed where he has failed.

The televised battle in the conference centre is the silly highlight of this conclusion, a set piece that actually succeeds in sending up politics, sports telecasting and the show itself all in one single go. It's just as well as the rest the story is the usual running around and tying up loose ends by knocking out bad guys.

Batman's po-faced campaign in the face of the Penguin's liveliness just shows how dull the hero is, deliberate statement or not.

Guest Villain is Burgess Meredith as The Penguin

Written by Stanford Sherman
Directed by Oscar Rudolph
Top

GREEN ICE...

Mr Freeze returns with a plot to discredit the Dynamic Duo whilst slowly freezing beauty queen Miss Iceland down to a temperature where she will love him.

What's this? Back in Instant Freeze... and Rats Like Cheese Mr Freeze was played by the urbane (and downright silky) George Sanders. Here, however, he has transformed into Otto Preminger and it is not a change for the better. As a villain he has no presence and his habit of adding the word 'wild' to every sentence will have you wanting to stick him in a microwave for eight minutes on full before the end.

The plot to discredit Batman has been done before, but the incidentals are as fun as ever.

Guest Villain is Otto Preminger as Mr Freeze

Written by Max Hodge
Directed by George Waggner
Top

...DEEP FREEZE

Batman and Robin retire from scene after escaping from Mr Freeze's popsicle-making machine. Unloved by the populace, they revert to their secret identities, but when Gotham City is threatened with being turned into a giant ice cube unless it pays a sum of money it can't possibly afford they react as only a true crime fighter can.

It's official - we hate the word 'wild'. Otto Preminger's Mr Freeze says it so many times and so badly (this has to be the low point in performance terms that the show has ever reached) that we seriously considered getting up a petition to have it banned from the english language.

In fact he is so bad that he makes the moment that Adam West speaks so seriously of how he has been hurt by a child's boo seem like a Hamlet soliloquy in comparison.

Guest Villain is Otto Preminger as Mr Freeze

Written by Max Hodge
Directed by George Waggner
Top

THE IMPRACTICAL JOKER...

The Joker announces his return to Gotham City with a series of pointless crimes all based around the word keys. He has obtained the gargoyle keys that have allowed him to create a box that can temporarily freeze the dynamic duo into inaction. It is the pretty face and duplicitous heart of a woman, however, that leaves the dynamic duo locked in key-related death machines.

The Joker is back and Cesar Romero is welcome after the embarrassment of Otto Preminger's Mr Freeze. His plot is a little muddy and twisted, relying as it does on a mysterious 'magic box' about which nothing is revealed except that it is run by one of the gargoyle keys, whatever they are. The key motif is fine, though it doesn't really fit with the Joker, but it does come up with two imaginative ways for the dynamic duo to be left close to death.

The comedy scotsman is pantomime bad, but the figure-enhancing catsuit wearing sidekick is easy on the eyes.

Guest Villain is Cesar Romero as The Joker

Written by Jay Thompson and Charles Hoffman
Directed by James B Clark
Top

...THE JOKER'S PROVOKERS

The Joker improves on his magic box so that it can now control time. The trick however, seems to be in some hallucinogenic pills that he intends to drop into the water supply. Fortunately for Batman and Robin, Alfred's relative works at the power plant and is the dead spitting image of Alfred, giving them the element of surprise.

The plot gets even muddier than the first episode of this two-part story. The introduction of the drugs causing mass hypnosis that the gargoyle keys can manipulate is one thing, but how this allows time to be turned back or stopped is so inexplicable that the script even goes so far as to reference the fact that it's inexplicable as a way of getting around explaining it.

Batman and Robin even manage to drop out of the latter half of the episode completely, leaving it to Alan Napier to do a rather weakly scripted double act with himself as Alfred the butler and his disreputable relative. This was clearly supposed to be amusing. It isn't.

Guest Villain is Cesar Romero as The Joker

Written by Jay Thompson and Charles Hoffman
Directed by James B Clark
Top

MARSHA, QUEEN OF DIAMONDS...

Chief O'Hara helps Marsha, the diamond-loving supercriminal, to walk out of jewellery store with the second biggest diamond in Gotham City. Shortly thereafter, Commissioner Gordon lures Batman into a trap. Marsha is in possession of a love drug that bends strong men to her will. When Batman manages to resist, she traps Robin and promises to keep him a slave unless Batman agrees to marry her.

Well this is certainly a new scheme. It's a little unlikely that Batman would stand on an oath made to himself with Robin's life at risk, but then who ever worried about authenticity in BATMAN?

Instead we have Carolyn Jones, channelling her best Zsa Zsa Gabor as the alluring Marsha. Her lack of physicality, using her will and feminine wiles to better effect, makes her a more interesting enemy for the Dynamic Duo. Woody Strode pops up as her number one stooge with barely a line and Estelle Winwood is her unbelievably batty aunt in the basement.

Guest Villainess is Carolyn Jones as The Queen of Diamonds

Written by Stanford Sherman
Directed by James B Clark
Top

...MARSHA'S SCHEME OF DIAMOND

Batman is saved from the altar by the quick invention of a previous Mrs Batman by Alfred and Aunt Harriet. Using the all-purpose batantidote, Batman saves Robin, but Marsha uses her aunt's potions to turn the Dynamic duo into toads.

The plot descends beyond the point of silliness as Marsha wanders into the Commissioner's office with the bat toads and the audience silently begs that it can't have stooped so low. Fortunately it hasn't got any sillier than it normally is.

Thank goodness for Carolyn Jones, whose performance as Marsha somehow manages to rise above it all and show everyone how it should really be done.

Guest Villainess is Carolyn Jones as The Queen of Diamonds

Written by Stanford Sherman
Directed by James B Clark
Top

COME BACK, SHAME

Shame, the wild west villain, is stealing cars all over Gotham City and stripping them for spare parts. These are to build a super truck that will outrace the Batmobile. Batman and Robin are soon on the trail, but end up staked out in the middle of the street with rampaging cattle stampeding towards them.

This is pretty much a one joke episode. Shame - that's SHANE, but with an 'm'. Get it? I hope so because that's pretty much all that there is. There's a small child introduced for no other reason than to have a small child shouting 'Come back, Shame' in homage to the iconic ending of the western classic. That aside, the plot is threadbare, even more than usual.

Guest Villain is Cliff Robertson as Shame

Written by Stanley Ralph Ross
Directed by Oscar Rudolph
Top

...IT'S HOW YOU PLAY THE GAME

Shame's scheme is revealed as cattle rustling, the stealing of 4 prize bulls each valued at $300,000. Saved from the stampede by Batman's bullfighting skills, the dynamic duo must take on the whole gang unarmed.

Having the small child cry out 'Come Back, Shame' is clearly a great joke because it's recycled and used again in this second episode of the two part story. Sadly, it feels even less funny than the first time around. Considering that the villain has been building the ultimate pickup truck that's even faster than the Batmobile it's a shame that we never to get to see it in action. Oh for a car chase!

This episode is dull and strained and the cracks in the show's endlessly repeated format (and endlessly repeated stock footage) is beginning to show.

Guest Villain is Cliff Robertson as Shame

Written by Stanley Ralph Ross
Directed by Oscar Rudolph
Top

THE PENGUIN'S NEST...

The Penguin has set up a restaurant catering only to the rich and famous of Gotham City. It uses a special ordering menu where the clients don't give their order, they write it down. This has given Penguin samples of the handwriting of all the rich folk in town. All the Penguin now need do is get those to Ballpoint Baxter, the famous forger, in the State Penitentiary. Unfortunately for him, that proves to be harder than he expected and he has to resort to kidnapping Chief O'Hara.

A new caper for the Penguin and a pretty original one at that. The idea of a criminal fighting to get into jail and not managing it is amusing. Burgess Meredith is always good value as the Penguin. This week it's the turn of Lurch from the Addams Family to pop out of the window as the Caped Crusaders climb up the wall. This joke is getting very old and very stale.

Guest Villain is Burgess Meredith as The Penguin

Written by Lorenzo Semple Jr
Directed by Murray Golden
Top

...THE BIRD'S LAST JEST

Despite machine gun fire, the Dynamic Duo manage to save Chief O'Hara from a watery grave, but the Penguin's eloquence in the court room manages to get him off the hook, quite the opposite of what he intended. Batman launches a scheme to frame the Penguin and reveal his plot at last, but it puts Alfred in mortal danger.

Finally a super criminal has recognised someone who has foiled them before. Not Bruce Wayne and Dick Grayson, but Alfred the Butler. Batman's undercover scheme goes awry when the Penguin recognises him. Surely Batman ought to have remembered that they had met before? This leads to a farcical amount of Batman and Robin shooting up and down batpoles changing their costumes with the speed of a British stage farce.

Guest Villain is Burgess Meredith as The Penguin

Written by Lorenzo Semple Jr
Directed by Murray Golden
Top

THE CAT'S MEOW...

A recently released and reformed Catwoman announces a career in pop music and is booked for a gig at the annual Police Benefit concert which is to be headlined by the British singing sensations Chad and Jeremy. Her intention, however, is to steal their voices and demand a ransom. Batman and Robin are on the case, but end up locked inside an echo chamber that magnifies sound a million times over and water is dripping on a drum.

Welcome back Julie Newmar as Catwoman. She is the most attractive and alluring villain that Batman has ever faced and slinks around in her skin tight suit purring away. Her appearance in disguise as a clumsy dance teacher is also delightful.

Guest Villainess is Julie Newmar as Catwoman

Written by Stanley Ralph Ross
Directed by James B Clark
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...THE BAT'S KOW TOW

Escaping from the mind-numbing torture of the echo chamber they were left in by Catwoman through the simple act of singing at the resonant frequency of the glass in their cage, Batman and Robin are soon back on the Cat's trail. At the moment of capture, Catwoman announces her love for the bat.

It's surprising that the moment shared between Batman and Catwoman at the end of this episode is actually affecting considering the silliness of everything else that has gone on before it. Which just goes to show that the series is not just thrown together, but carefully worked out and its silliness calculated to the last degree.

Guest Villainess is Julie Newmar as Catwoman

Written by Stanley Ralph Ross
Directed by James B Clark
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PUZZLES ARE COMING...

The Puzzler appears in Gotham City in the company of the very rich Artemus Knab. Whilst the Dynamic Duo can't immediately arrest him for a crime, they are certain that he's up to something. That something includes launching them in a balloon that is programmed to plummet to Earth from twenty thousand feet.

The Puzzler wants to be the Riddler, but has none of the class, style or borderline psychotic behaviour to make the grade. He is just an old lag with a penchant for word games and quoting Shakespeare. He also doesn't have much of a plan to speak of. At one point, he has the Dynamic Duo in his grasp, totally helpless, and he lets them go so that he can lure them back into his fiendish hands again for the balloon trip. Why didn't he just dump them in the balloon when he had them.

Guest Villain is Maurice Evans as The Puzzler

Written by Fred De Gorter
Directed by Jeffrey Hayden
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...THE DUO IS SLUMMING

A piece of discarded chewing gum saves the dynamic duo from a great fall. They work out the latest of the Puzzler's games and nab him in the act of stealing a plane.

The Puzzler continues to be a waste of space in this second episode of this story. It's not the fault of Maurice Evans, just that the writers don't know what to do with him to make him different from the Joker or the Riddler. In the end they decide to do nothing with him at all and in the end it's a very nothing story, even if Santa does pop up.

Guest Villain is Maurice Evans as The Puzzler

Written by Fred De Gorter
Directed by Jeffrey Hayden
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THE SANDMAN COMETH...

The police department discover that Catwoman, fresh out of prison, is consorting with notorious european crook The Sandman. They call in Batman, but have to wait for his camping trip to be over. The Sandman's plan is simple - to con a rich woman with a sleep disorder into parting with all her money for his drug-induced sleep solution. But first he plans to sew Batman into a mattress.

The plot here is very reminiscent of that of the Puzzler in Puzzles are Coming in that it involves gaining the trust of an ultrarich person and then fleecing them. The rivalry between Catwoman (Julie Newmar, attractive as ever) and The Sandman (the oh so smooth Michael Rennie) adds a little spice to the first supervillain team up that the show has produced and it is nice to see that the Gotham Police Department can actually get its act together to at least find out that Catwoman and the The Sandman have teamed up.

As for the rest, it's BATMAN by numbers.

Guest Villains are Michael Rennie as the Sandman and Julie Newmar as Catwoman

Written by Ellis St Joseph
Directed by George Waggner
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...THE CATWOMAN GOETH

Batman escapes his death by sewing and has to relocate the Batmobile before setting about the rescue of Robin from Catwoman's labyrinth and stop the Sandman from escaping with $200 million of a rich woman's money.

Having two criminals in this story was a brilliant wheeze as it allows for them to bring about their own downfalls through their own duplicity. There's not enough of the wonderful Julie Newmar as Catwoman, but Michael Rennie's Sandman remains smooth to the point of glassiness. Watching the pair of them makes up for the extreme silliness of the plot.

Guest Villains are Michael Rennie as the Sandman and Julie Newmar as Catwoman

Written by Ellis St Joseph
Directed by George Waggner
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THE CONTAMINATED COWL...

The Mad Hatter steals a large number of hat boxes to pack up his collection of famous hats. Batman and Robin are on the case immediately, but the Hatter has his eyes on the ruby headdress of Hattie Hatfield.

If ever there was proof needed that BATMAN is the campest show ever on the small screen then it's the sight of Batman in a bright shocking pink mask. It just about sums up the whole show. This will either convince you of its genius or prove to you its true awfulness. The choice is yours.

Previous encounters with the Mad Hatter have been somewhat disappointing, but this time his plan is strong enough to distract from the weakness of the character. Jean Hale also makes for a stronger than usual female accomplice.

Guest Villain is David Wayne as the Mad Hatter

Written by Charles Hoffman
Directed by Oscar Rudolph
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...THE MAD HATTER RUNS AFOUL

Batman and Robin are dead. It's true. As the world descends into mourning, the decidedly non-dead dynamic duo work in secret to reveal the Mad Hatter's plan to use Hattie Hatfields fake ruby to replace the real one in the statue of Buddha on display in the museum and trap him atop a high water tower.

The show reaches whole new levels of silliness with the outpouring of grief around the world following the 'death' of Batman and Robin. The scene in which the commissioner and Chief O'Hara share the news is completely hilarious, overplayed to absolute perfection.

Guest Villain is David Wayne as the Mad Hatter

Written by Charles Hoffman
Directed by Oscar Rudolph
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THE ZODIAC CRIMES...

The Joker returns to Gotham City and announces a new crime spree based on the signs of the zodiac. Whilst Batman and Robin race around trying to stop him, he enlists the aid of the Penguin and manages to get the dynamic duo tied up beneath an 8 tonne meteorite that falls at dawn.

Cesar Romero is back as the Joker and is having so much fun that you can't help but have fun along with him. The plot is the usual nonsense, although the variety of ways in which the crime fits the zodiac is occasionally clever (kidnapping an opera star called Leo). It is surprising that the Penguin would allow himself to be brought to Gotham just to play stooge to the Joker and Burgess Meredith really is given very little to do.

Guest Villains are Cesar Romero as the Joker and Burgess Meredith as the Penguin

Written by Stanford Sherman
Directed by Oscar Rudolph
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...THE JOKER'S HARD TIMES...

The Joker continues his crime spree, but the Dynamic Duo are right behind him all the way with the help of Venus, the Joker's cohort who has been turned away from a life of crime by the cut of Batman's cowl.

Terry Moore's attractive female stooge Venus is the centre of this episode (surprisingly not a double episode story like all the rest but continued next time). She switches from bad to good to bad to good with such frequency that it's hard to keep up, but Batman is clearly swayed by her charms.

The standout, though, has to be the giant man-eating clam that forms that episode's cliffhanger. This is quite simply the silliest thing that the show has ever come up with and laugh out loud ridiculous, but then again isn't that the joy of BATMAN?

Guest Villain is Cesar Romero as the Joker

Written by Stanford Sherman
Directed by Oscar Rudolph
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...PENGUIN DECLINES

Escaping from the giant clam set for him by the Joker, Batman sets off in hot pursuit of the Penguin, now using his charm on a certain lady to get what the Joker needs for his final crime.

It's a testament to Burgess Meredith's abilities that he takes the loathesome Penguin and turns him into something of a charmer when the need arises and it arises right here. The story really doesn't stretch to three episodes and so it fizzles out, but the memory of the giant clam will live with us for a long time.

Guest Villain is Cesar Romero as the Joker and Burgess Meredith as the Penguin

Written by Stanford Sherman
Directed by Oscar Rudolph
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THAT DARNED CATWOMAN...

Catwoman has developed a drug that makes people act in the exact opposite to their normal behaviour. She manages to slip some to Robin who turns into a seasoned criminal, joining her team without a second thought. He even betrays Batman into the Catwoman's mighty mousetrap.

All hail Julie Newmar. When she's on screen as Catwoman then the series soars, despite being a story so slight that they even have to put in an unconvincing music video moment in order to fill out the running time. Still, any time with Julie Newmar's Catwoman is time well spent.

Burt Ward, however, is even less convincing as a master criminal than he was as a crime fighter.

Guest Villainess is Julie Newmar as Catwoman

Written by Stanley Ralph Ross
Directed by Oscar Rudolph
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...SCAT! DARNED CATWOMAN

Batman saves himself from certain death by agreeing to work with Catwoman and takes her drug. With his help, she gets enough money for the plans to the Gotham Mint from which she intends to steal a good deal more than the million dollars the plans cost. Batman, however, has been faking all the time.

If we thought that Burt Ward's criminalised Robin in That Darned Catwoman was poor then Adam West's criminalised Batman is even worse - almost criminal in fact. Thank goodness, therefore, for Julie Newmar whose Catwoman once again steals every scene and makes us wish for a spin-off Catwoman show. Now that we'd like to see.

Guest Villainess is Julie Newmar as Catwoman

Written by Stanley Ralph Ross
Directed by Oscar Rudolph
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PENGUIN IS A GIRL'S BEST FRIEND...

The Penguin manages to con Batman into attacking the cast of a film that he is making. He forces Batman to appear in the film rather than go to prison for assault and then introduces Batman's leading lady, Marsha, Queen of Diamonds.

Batman and Robin fighting Roman Gladiators in a museum? It's one of the more surreal images in this episode that has an intriguing set up, but doesn't seem to get anywhere fast. Not that the plot matters a jot anyway. The inspired teaming of the ever-brillaint Burgess Meredith and the wonderful Carolyn Jones doing her Zsa Zsa Gabor impression is enough to get the story through its rougher patches, and there are more than a few of those. Estelle Winwood even makes a return as the mad chemistry professor in the basement, this time teamed up with a puppet monster in her cauldron that is even more laughable than the giant clam in The Joker's Hard Times.

Guest Villains are Burgess Meredith as the Penguin and Carolyn Jones as The Queen of Diamonds

Written by Stanford Sherman
Directed by James B Clark
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...PENGUIN SETS A TREND...

Managing to escape from Penguin's giant catapult trap, Batman goes back to work in the movies to find out what the master crook is up to, but it seems that his new target is the military and Batman finds himself and Robin on the way to the crusher.

Another 3 week story is revealed as there is no conclusion to this episode, just another cliffhanger as Batman and Robin are trapped with the trash and about to be compacted. These three episode stories don't work so well as the two-parters as the middle ends up being filler, starting nowhere and going nowhere. That's the case here, although it does have the campest set of military officers ever seen in a superhero series.

Guest Villains are Burgess Meredith as the Penguin and Carolyn Jones as The Queen of Diamonds

Written by Stanford Sherman
Directed by James B Clark
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...PENGUIN'S DISASTROUS END

After an escape from the scrapyard, Batman and Robin manage to track down the Penguin and his gang to the gold depository, but the criminals trap themselves inside the vault and refuse to come out, leading Batman to suppose that the Penguin has a plan for getting away with $20 million in gold bars.

The intial two episodes of this story haven't exactly set the screen on fire, but this resolution to the tale does have three moments of pure gold (in one case literally). The first is Marsha's dance of the seven veils. Despite her absolutely wonderful character in the show, Carolyn Jones proves to be no Salome when it comes to shedding veils and it is hilarious to see the guards overacting their appreciation. The Penguin's escape in a tank built out the gold bullion is a masterstroke and one of the finest storytelling moments that the show has ever come up with. Finally, Batman being ravaged by Marsha on film is also funny.

Guest Villains are Burgess Meredith as the Penguin and Carolyn Jones as The Queen of Diamonds

Written by Stanford Sherman
Directed by James B Clark
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BATMAN'S ANNIVERSARY...

It's the anniversary of Batman's crime fighting activities in Gotham City and the residents are holding a series of events to celebrate and raise money for the Caped Crusader's favourite charity. The Riddler, however, has his own plans on what to do with that money.

What? No! say it isn't so. How can this be possible? How can the show possibly put the Riddler on the screen with another actor in the role other than Frank Gorshin. The twisty-limbed genius made the Riddler the only truly scary villain that the show has ever produced, always unpredictable and on the edge of manic violence. John Astin, whilst likeable enough, is not even a pale shadow of that performance.

As for the rest, there's a very nice slow motion fight in a submerged bank vault where the usual THWAP! are turned into underwater GLURPs and the cliffhanger that leaves Batman and Robin sinking into the quicksand that is Batman's anniversary cake is a nice twist, but nothing can save us from the shock of a Gorshin-free Riddler.

Guest Villain is John Astin as the Riddler

Written by Stanford Sherman
Directed by James B Clark
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...A RIDDLING CONTROVERSY

Escaping from the cake by means of rockets in their boots, the Dynamic Duo take after the Riddler once again.

Now that the shock of Frank Gorshin's absence as the Riddler has worn off we can truly assess John Astin's performance and it really isn't up to the mark. The man might as well be holding a tea party as being a master criminal. The few moments when he attempts to ape Gorshin are, quite frankly, embarrassing.

Guest Villain is John Astin as the Riddler

Written by Stanford Sherman
Directed by James B Clark
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JOKER'S LAST LAUGH...

The Joker pulls an obvious forgery scam to get Batman's attention and trick him into taking one of the master criminal's new robots into the Batcave - a robot with a homing device aboard.

Welcome back Cesar Romero as the clown prince of crime with his newest invention - the Jokermobile. The jaunty jalopy only makes a fleeting appearance, but a telling one in an otherwise average story that benefits mainly from Romero's presence as the manic master of mirth.

Guest Villain is Cesar Romero as the Joker

Written by Lorenzo Semple Jr
Directed by Oscar Rudolph
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...JOKER'S EPITAPH

Batman's scheme to have Bruce Wayne lure the Joker into a trap has gone awry and though Alfred manages to save them both, Joker is left as a vice chairman of Gotham's Bank and has incriminating evidence on Bruce Wayne that will allow him to embezzle the millionaire's fortune through an arranged marriage.

The plotting here is somewhat muddled to say the least. The Joker suddenly has the power to take over the bank and have his androids staff it, but to what end? What was his original plan as this this one just dropped into his lap? Is this Batman's biggest blunder? At least the forced marriage makes some sense and gives the Commissioner an excuse to lock up Bruce Wayne for mental incapability, though we're not sure what it says about marriage that the police chief can use a wedding announcement as proof of insanity.

Guest Villain is Cesar Romero as the Joker

Written by Stanford Sherman
Directed by Oscar Rudolph
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CATWOMAN GOES TO COLLEGE...

Catwoman is released on parole into the care of Bruce Wayne and declares that she wants to go back to college. There, she arranges the theft of a life size replica of Batman that she uses to fashion a double for the crime fighter. One crime later and Batman is behind bars, but not for long. Catwoman organises a student demonstration in Chimes Square as a distraction from her planned crime, but the dynamic duo interfere and end up in a giant teacup about to get an acid shower.

If ever there was a reason to watch BATMAN then it's the lovely, curvy Julie Newmar as Catwoman. She is as playful as she is gorgeous and how she slips into that skintight catsuit is a mystery greater than any Batman had to foil. She's also very playful, completely in tune with the tone of the show. Her seduction of the Dynamic Duo through a display of feminine wiles and tears is hilarious. Whilst she's on screen, the show fizzes and delights.

Guest Villainess is Julie Newmar as Catwoman

Written by Stanley Ralph Ross
Directed by Robert Sparr
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...BATMAN DISPLAYS HIS KNOWLEDGE

Whilst Batman's escaping a teapot filled with acid, Catwoman carries out her real plan, the theft of millions of dollars' worth of Patagonian Cats' Eye Opals. These are known to be bad luck to anyone who steals them, and she finds that not only can she not get them fenced on the black market, but they're fakes anyway. She arranges a meeting with Batman, one on one, but can she be trusted to keep her deal?

There's barely any plot at all in this episode. The introduction of French Freddy the Fence doesn't add anything except the possibility of a fencing match that never comes to pass. Thank goodness, then, for Julie Newmar as Catwoman and her continued sparring with Adam west's Batman. It is the sexual tension between them (bizarre that it should be so effective in a show like this, but it is) that makes this episode anything more than completely forgettable. The Cat, it seems, is a major asset to the success of the Bat.

Guest Villainess is Julie Newmar as Catwoman

Written by Stanley Ralph Ross
Directed by Robert Sparr
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A PEICE OF THE ACTION...

Colonel Gumm is using Pinky Pinkston's stamp making mini-empire as a front for forging some of the rarest stamps in the world. Out of town crime fighters the Green Hornet and Kato are in Gotham City to expose the scam, but life is complicated by the fact that they are believed by the world at large to be master criminals themselves and therefore the target for both Colonel Gumm and the Caped Crusaders.

Forget the fact that Colonel Gumm is the least interesting villain yet served up in this second season of weak villains, or the thin excuse for a stamp forging plot because this is all about being a shameless plug for the Green Hornet show, bringing together the two sets of viewing fans in the hope of getting some crossover appeal. It's immediately clear, however, that the Green Hornet must be a somewhat more serious show as Van Williams plays his role completely straight and seems ill at ease with the nonsense that is going on around him.

Guest Villain is Roger C Carmel as Colonel Gumm
Visiting Hero is Van Williams as The Green Hornet
Assistant visiting Hero is Bruce Lee as Kato

Written by Charles Hoffman
Directed by Oscar Rudolph
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...BATMAN'S SATISFACTION

Colonel Gumm's machine hasn't turned the Green Hornet and Kato into life-size stamps, but merely taken their pictures. Batman rescues them and goes back to trying to find the recently kidnapped Pinky Pinkstone through a code left in a bowl of alphabet soup.

BATMAN reaches whole new levels of silliness with the coded message left in alphabet soup that is missing all the 'q's, 'z's and 'j's because those were fed to a pink dog. Thankfully, his double episode advert for THE GREEN HORNET is now over and we can perhaps go back to business as usual. Edward G Robinson cameos at the window in the high-rise to discuss art for no readily apparent reason.

Guest Villain is Roger C Carmel as Colonel Gumm
Visiting Hero is Van Williams as The Green Hornet
Assistant visiting Hero is Bruce Lee as Kato

Written by Charles Hoffman
Directed by Oscar Rudolph
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KING TUT'S COUP...

A blow to the head from a falling flowerpot causes a Yale Egyptology professor to revert to his alternative persona as supervillain King Tut just in time to crash a big social event in which the fancy dress theme is Egypt. Bruce Wayne is present as Julius Caesar, but Tut's target is the socialite going as Cleopatra, who he wishes to be his queen. Batman ends the episode being lowered into a vat of water sealed inside a sarcophagus.

Just when we thought the camp factor couldn't get any higher on BATMAN we are given the sight of Adam West and Burt Ward dressed in Roman gear, preparing for the party. Beyond that, it's more of the same old, same old without a strong villain to take our mind off the template. The 'head in the window' bit is also getting extremely tiresome, especially when the 'guest' is someone not well known outside of the US and certainly not years later.

There are small appearances for Lee Meriweather (later to play Catwoman on the big screen) and Grace Lee Whitney (Yeoman Janice Rand from STAR TREK).

Guest Villain is Victor Buono as King Tut

Written by Stanley Ralph Ross
Directed by James B Clark
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...BATMAN'S WATERLOO

Batman uses techniques of mind over matter to hold his breath for an hour until Alfred can rescue him. He then trails King Tut to the place where he intends to boil Robin in oil. The Egyptian villain did not, however, count on the fury of a woman scorned.

Lee Meriweather gets a larger part in this concluding half of the story as Tut has no other plan than to marry her and take all her rich father's money. It's not much of a plot, but there is some witty dialogue and Batman learns some interesting things about the plans that others have for Bruce Wayne.

This episode also puts to rest the disputes over Batman's sexuality as it only takes one kiss from the lovely Lee to send him inside her apartment for 'milk and cookies'.

Guest Villain is Victor Buono as King Tut

Written by Stanley Ralph Ross
Directed by James B Clark
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BLACK WIDOW STRIKES AGAIN...

Bank managers across the city are in danger as the Black Widow uses a small box to short circuit their brains so that they just hand over huge amounts of cash to her. Batman is soon on the trail, but some clever dummies outsmart him and soon he and Robin are caught in a giant web with deadly spiders crawling up their legs.

If there was ever an award for the least convincing spiders ever to appear in a television show then this episode could quite possibly win it. The dynamic duo could easily escape by simply laughing them off the screen.

Tallulah Bankhead doesn't make for the most exciting villainess either. She seems barely able to walk and talk properly and so it is a battle of wills and intelligence that is being fought. Unfortunately, it's not a very engaging one.

Guest Villainess is Miss Tallulah Bankhead as the Black Widow

Written by Robert Mintz
Directed by Oscar Rudolph
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...CAUGHT IN THE SPIDER'S DEN

The Black Widow manages to turn Batman into her slave and then uses a dummy to make everyone believe that he is dead and Robin is a criminal.

Tallulah Bankhead is really too old to be playing the femme fatale and yet that's exactly how she plays the role and it is faintly embarrassing. She is actually more believable when she is being played by Burt Ward with Miss Bankhead's voice.

And, only a week after apparently proving his manhood by snogging his Cleopatra in Batman's Waterloo, Batman steals the show by singing about being a little buttercup. It's a scene that has to be seen to be believed and there is a certain edge of satisfied mischief in Robin's making him doing it. It's the highpoint in an otherwise disappointing tale.

Guest Villainess is Miss Tallulah Bankhead as the Black Widow

Written by Robert Mintz
Directed by Oscar Rudolph
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POP GOES THE JOKER...

The Joker attacks an art gallery and destroys some exceedingly average paintings. The damage, though, is deemed to create new masterpieces and sees the Joker entered into an art competition that he wins with a blank canvas. His success brings millionaires flocking to his art classes, giving him some very tasty hostages, including one Bruce Wayne.

There are some targets that are almost too easy to spoof and the art world is one such target. The pretentiousness of modern art is ripe for bursting and the three minutes of silly artists creating so-called masterpieces by rolling on canvasses, having monkeys throw paint on canvasses and painting with their feet is a particularly blunt way of making fun of modern art and modern artists and the empty-headed audience that it attracts.

It does provide, however, a nice backdrop to a more complicated plot than usual as the Joker works towards his ultimate aim, the exchange of some of the finest private art collections for their imprisoned owners.

Guest Villain is Cesar Romero as the Joker

Written by Standford Sherman
Directed by George Waggner
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...FLOP GOES THE JOKER

Having secured the patronship of one of Gotham's more empty-headed socialites, the Joker uses her priceless furniture to create modern art that he exchanges for old masters in the Gotham museum which he will ransom for ten million dollars. Fortunately, Batman appears to be one step ahead of him.

This concluding episode of the story actually contains more plot than many of the previous two-part stories combined. Cesar Romero also takes the opportunity it provides him to overplay the part even more, making the Joker even more entertaining. The Joker has remained one of the more consistent villains in this second season.

It does provide, however, a nice backdrop to a more complicated plot than usual as the Joker works towards his ultimate aim, the exchange of some of the finest private art collections for their imprisoned owners.

Guest Villain is Cesar Romero as the Joker

Written by Standford Sherman
Directed by George Waggner
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ICE SPY...

Mr Freeze uses a fake iceberg to kidnap a famous scientist of the SS Gotham in order to freeze out of him the secret formula for his instant ice. This he plans to use to ransom the world from a new ice age.

Eli Wallach showing up as Mr Freeze is a surprise, but certainly he does a much better job than Otto Preminger in Green Ice and Deep Freeze. The plot is pure Batman, purely an excuse or running around in garish outfits, but it does have the unedifying sight of Adam West talking to himself over two telephones when Bruce Wayne and Batman are required to have a conversation for commissioner Gordon.

Guest Villain is Eli Wallach as Mr Freeze

Written by Charles Hoffman
Directed by Oscar Rudolph
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...THE DUO DEFY

Having escaped from vaporisation, Batman and Robin use a seal and the Batcopter to track down Mr Freeze's new hideout in the ice-locked Gotham City.

The story plays out much like the others and proves a less than exciting way to finish off a season that was too long and tested our patience at times, but Eli Wallach has grown on us as Mr Freeze and hopefully will end the game of musical actors with the role.

Guest Villain is Eli Wallach as Mr Freeze

Written by Charles Hoffman
Directed by Oscar Rudolph
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